Adil Najam
Let me repeat something I wrote last year: Rohail Hyatt’s Coke Studio is one of the best things that has happened to Pakistan music in a long time. Needless to say, I remain a big fan. Arieb Azhar’s Husn-i-Haqiqi is something that still mesmerizes me every time I listen to it: and I listen to it every time I can. The big hit from this year’s (Season 3) Coke Studio is Arif Lohar’s (with Meesha Shafi) singing Jugni: “Alif Allah Chambay di Booti“
This is an absolutely captivating song from Coke Studio. In many ways this may be the ultimate Coke Studio song. Like so many other Coke Studio productions, but maybe more than most others this song would just not have happened this way were it not for Rohail Hyatt and Coke Studio. The fusion is not just in the instrumentation, the composition and the set, it is in every sound and every placement of emphasis of the song. It remains Arif Lohar’s song to its core, but it would just not have been the same without Meesha Shafi. For all of this one has to thank Arif, Meesha, and of course Rohail.
But in some ways, we must also thank – and remember – Alam Lohar with this song. I have been meaning to write about Alam Lohar for a long time (and let me say, that I still owe him that post). In essence, Alam Lohar was the ultimate showman. A giant in a generation of great folk artists (here, here, here). And the Jugni was one of his signature songs.
I must confess that I have never ever heard anyone sing the Jungni without Alam Lohar’s (Arif’s father, for those who may bot have guessed) sound track playing at the back of my head. For those who are unfamiliar with the great showmanship of that soundtrack, here is a dusty glimpse. The quality is not that good – one just wonders what Alam Lohar could have done in Coke Studio! – but the mastery is all too evident.
If Alam Lohar was alive today, I am sure he would agree that his son has done him proud!
I was wondering why I was feeling uncomfortable and I think AHsn explained it well. With both Arif and Alam Lohar it is clear that they are ‘into’ the words and they are feeling what they are saying. With the girl in the new video it seems she is enjoying the music but not feeling the words. And the less the singer feels the words the less the words do for me.
I love both versions, but I have been repeat playing the old one for the last one hour now.
Thanks for posting both.
Both Arif and Alam are true representative of real Punjabi culture,both have excellent command on”Sur ,Taal” (vocal cord/rythem)which mostly is missing in all our modern super star singers.
Indian singers rightly crticise them, but its all commercialization so “sub Chalta hai.”
I belong to old generation and I still prefer Alam Lohar. His ChamTA music perfectly accompanies the song and his simple body movement conveys the message of the words.
Ver nice but
I thought Ali zafar and Tufail ahmed sung the same song better than Arif and Meesha.
http://www.youtube.com/watch?v=5BwlKTWjAOk
I really like Meesha. she has a very strong and powerful voice but on occasions she sounds like a man :-)
That was a Fantastic episode and I loved it. The chorus made it more lovely to listen and Hats off to Arif Lohar’s singing. Fabulous.
Excellent. Although I wish it had been Arif Lohar alone maybe with only the chorus.
It is interesting to compare the simplicity of Alam Lohar’s clip with this new one produced with the help of all the modern music production technology. I think Lohar senior still has an upper hand.
I have become lifelong fan of Arif Lohar after this performance. I looked for his previous work completely loved everything he did in last 20 years. He has been amazing with Jugni, “Ek Phul”, “Naam Moula Naam” and others.