My personal recollections of Dilawar Figar was in 1996 when he was invited along with other noted personalities in a Roo-Baroo program. He recited his very interesting poetry which is a combination of Marsiya and Sehra and I believe that was really a masterpiece. I have still not been able to find something on it and this is the reason why I have not been able to finish the blog. But anyway, here is the blog on him.
Dilawar Figar (b. 1928 – d. 1998) was a noted humorist, poet and scholar of the Indian subcontinent.
He is known as Shehansha-e-Zarafat and Akbar-e-Sani for his satirical and rich humor writings. Dilawar Figar, without any doubt was one of the most illustrious poets of our generation. He first came into prominence with his â€˜hair-e-Azamâ€™, which received great acclaim in Delhi. This poem as mentioned in the preface, first helped Dilawar secure a place in the genre of poetry in which we find him today
Dilawar Figar was born on July 1928 in an illuminated family of Badaun, UP India.
He got his early education from his town, and later joined Agra University where he got M.A. (Urdu). He also did M.A. (English) and M.A. (Economics). He associated with academia and teachings. After partition of India, he migrated to Pakistan and settled in Karachi where he joined Abdullah Haroon College and taught Urdu. He also worked for KDA and remained Assistant Director Town Planning. He died on January 1998 in Karachi.
Both critical and full of humor, his brand of poetry is a rare commodity. Well versed with the economic and social trends of our country he has used humor in his poems to express criticism in matters of specific and general interest. He was such a natural in the field that his poems encompassed not only the political and social elements but he also managed to find a humorous side in almost every aspect of life. From â€˜Shereen â€“ Farhadâ€™ to searching for love on the computer, his subjects both general and specific, old and contemporary, Dilawarâ€™s brand of poetry appeals to both young and old.
It also goes to his credit that Dilawar has been consistent in tastefully selecting and arranging his words to project his opinions in a most effective and humorous manner. Through this book- â€˜Kulyaat- E -Dilawar Figarâ€™, Dilawar has left behind a legacy that will continue to enliven our lives and through its universal appeal might just help resurrect Urdu poetry in the younger generation.
Figar started writing in 1942 at the age of fourteen. And soon got the company of noted masters, viz. Maulvi Jam Nawai Badayuni, Maulana Jami Badayuni. His literary work contains Ghazal, humor, and translation.
* Haadisay (collections of Ghazals)
* Sitam ZarifiaÃ± (collections of humor poetry)
* Shamat-e-Aamaal (collections of humor poetry)
* Adaab Arz (collections of humor poetry)
* Assar-e-Nau (collections of humor)
* Unglian Figar Apni (collections of humor poetry)
* Matla Arz Hai (collections of humor poetry)
* Century (collections of humor poetry)
* Khuda Jhoot Na Bulwa’ay (collections of humor poetry)
* Chiragh-e-KhandaÃ± (collections of humor poetry)
* Aaina-e-Raghib (125 rubaiyaat of Raghib Muradabadi)
* Khushbu Ka Safar (translation of selected English and American poetry)
* Khoob tar Kahan (translation of ‘Why Not the Best’ â€“ biography of Jimmy Carter)
* Aabshar-e-Noor (poetic explanation of Sura Fatiha)
* Sila-e-Shaheed Kia hai (poetic biography of recipients of Nishan-e-Haider martyrs)
* Fi Sabeel Lillah (collections of humor poetry)
* Kaha Suna Maaf Karna (collections of humor poetry)